How are the WIPs going?

I have, over the past few weeks, been working on a pair of short stories I hope to submit to a horror podcast, The Other Stories. They want cosmic horror. On a day off, I wrote one in a single sitting, but felt there was another story there. When I saw that authors were allowed to contribute two stories per theme, I thought I would bide my time and see if I could write the other, more ethereal story that I sensed was there.

Now that I have written this second story, at least the better part of it—it wants a stronger ending—I feel there is still more to be written. A series of these short stories might make an interesting read, perhaps even amount to a novella. Who knows? However, now and again, as regards my posts here, I sometimes think it would be a good idea to share some of my own writing/outlining methods.

One of the things I do when I see a project developing like this is to ascertain what patterns are showing themselves. Very often, when I'm writing poetry, there is some line or couplet that appears to me, and the rest of the poem pours out of that initial inspiration. I study what I have been given and ask myself: What are the patterns inherent in this and where is it going?

So, if I were to do that with this pair of stories I find a few patterns/themes:

1. Horror stories revolving around one POV
2. Retrospective
3. Themes of Love + Death
4. Themes of Chesterton's God, the gods, the philosophers, and the demons
   1. God: Padre C
      Believes in a purity of original uncreated/being
   2. The gods: Giovanni
      Paradoxically believing in everything and nothing
   3. The Philosophers: The Doctor
      Believes in Death
   4. The Demons: Jasper
      Hail Satan
5. Nyarlathotep vs Hastur :: Satan vs Death
   1. Order vs Chaos
      1. Nyarlathotep's schemes vs Hastur's madness
      2. Nyarlathotep's temple vs Hastur's decay
   2.  Weakened will (seduction) vs blackmail (threats)
   3. Contract vs Betrayal
   4. Human sacrifice vs suicide

Anyway, That's just a quick riff. I don't always write these things out; often, I just think them through. The next question would be where the meta story is going, that is, what is its endpoint/cathartic moment. Now, I have one hint as to the next step, to follow the doctor character, who seems somewhat suspicious, and also to fill in the Chesterton pattern. As such, two more stories appear, one following the doctor and one following Jasper.

So, that's just a little insight into how my thinking process works. I don't know if I'll pursue this possible story or not. Either way, let me know what you think, what you're working on, and what your writing process looks like.

Keep writing.

I saw an interesting question posed on twitter: Would you write an entire book series and not publish a single book until it's all done? Now, that is precisely what I've been doing, or, perhaps I should say, what I've been planning. Right now, I've somewhat given up on traditional publishing, partially as it seems like traditional publishers want me to do the marketing as well as the writing, and partially because it seems like most forms I fill out ask me how well I've self-published my own work so far.

So, I started to consider whether to self-publish the book I have written, and it seemed to me that since I had already organized it into three major sections, each about the length of a short novel, it would make sense to self-publish it in those organic pieces. As my original outline extended beyond this book, I figured I ought to finish writing to the end of my outline. That should make a fourth part. Furthermore, when I finished that outline, I jotted down a few notes for a continuation of the story. I've been working on a new outline, off and on (mostly off), and hope to finish it and add it to this possible series, thereby reaching a total of either five or six parts.

Now, why do I want to chop up my story like this? For one, I think these breaks in the story make sense. Also, one piece of advice I've heard about self-publishing is to keep a steady flow of work coming out. So, before I self-publish, I want have a ready well of titles to publish at regular intervals. My overarching plan is to, over the next two to three years, get ten titles ready, half or so consisting of this series and the other half based on a few short outlines I've jotted down here and there throughout the years. Then, take the leap and self-publish.

• Am I being stupid?
• Would you try something like this?
• Have you written any series?

I was listening to a video talking about harnessing creativity. It didn't say much that hasn't been said before, but it did get me thinking about my own reasons for writing. It is, in a sense, a bit of a mystery: I can tell you I write because I want to tell stories and because I love books and language, but why do I want to tell stories? Why do I love books? Why do I find language such a captivating subject?

The question was, "What did the first frog say?" And the answer was, "Lord, how you made me jump!"
~Chesterton

The stories are just there. They pester me. They want time and thought and form, and it's my great joy in life to give it to them. A story appears and demands my attention, and it just so happens that that is what I love to do. I find no answer beyond my own actions; I simply do it.

Books, at least the written word, are my medium, and I can hardly put into words the way printed words make me feel. If I ever won the lottery, I would probably convert my whole house into a library. Here there is some explanation: Certain associations from childhood may have molded this love, but I can remember some fairly bitter experiences here as well as good, in fact some of my earliest encounters with books made me swear I'd never read anything ever again; it was only in my later childhood that I learned to love to read.

But just as the stories I tell come to me seemingly from out of the æther, and just as my love of those stories is something that merely is, so I find another love, an unexplainable delight in language itself. Every tidbit of etymology is my treasure, every quirk of grammar my delight. It is a struggle, the work can even become drudgery at times, and yet I can't escape.

I don't know why I write; I just know I do.

• Why do you write?
• When did you start writing?
• What was the first thing that made you say, "I'm going to be a writer"?